Hipnosis were a Italo trio in the early '80s, born in Parma and founded by Stefano Cundari. The line-up included Ugo Solenghi and Pauls Sears (that later joined Kirlian Camera). Particularly popular in Germany, thanks to the Vangelis cover of Pulstar.
Awesome Spacey Italo!
Hypnosis Pulstar / End Title (Blade Runner) 12" - 1983 - Germany
Hipnosis - Hipnosis Lp-1984 - Germany
Hipnosis - Droid / Automatic Piano CD - 1987/1993 - Germany
Coming together in 1981 in Croydon, London, England under the name of 400 Blows, this versatile ensemble combined funk, reggae, African music and disco. Their obvious influences, in addition to various ethnic styles, included 23 Skidoo and Throbbing Gristle. This electrofunk duo recorded a handful of uptight electronic/industrial jams.
This was probably the first over $20.00 CD I purchased back in 1989. Who cares!
The Elephant Table Album: a compilation of difficult music was a 1983 Compilation album, released on Xtract Records. The Double album was compiled by music journalist Dave Henderson following a series of articles by him in Sounds, the British music paper. It was reissued on CD by the same label in 1989, but with the tracks sourced from the vinyl release rather than the master tape,[1] and the number of tracks reduced from 21 to 17.[2] The tracks consisted of a selection by lesser-known experimental, industrial and electronic artists of the period... Wikipedia
Featuring obscure electronic industrial jams by Chris and Cosey, Coil, Bourbonese Qualk, Nurse With Wound, 400 Blows, and many more.
Various - The Elephant Table Album Lp/CD - 1983/1989 - UK
During the 1980s, he founded a record label, Private Music, specializing in instrumental music in a style popularly referred to as New Age. Artists signed to the label included Yanni, Patrick O'Hearn, Jerry Goodman, Suzanne Ciani, and former bandmates Tangerine Dream. The label was eventually sold to Windham Hill Records' parent company, BMG, who continue to distribute some of the back catalogue of its more successful artists. Baumann has since kept a low profile from the music business. YAWN!
Come check out this Synth pop post Disco Prog gem.
The result is an haunted, mysterious travel through an unknown synthscape..
Peter Baumann - Repeat Repeat CD - 1981/1990 - Germany
These are some early steps of 3 people from Frankfurt/Germany who some years later will be considered as tremendous influence for the German Dance Scene. Luca Anzilotti & Michael Münzing will collect platinum records as the Producers behind Snap! And Sven Väth, as we all know, becomes Germany's DJ Guru..
Extreme Nu Beat sound, the precursor to German trance? Yaa..
You know who he is.. I don't know why I chose to post this...
Lets not mention that song!
Michael Sembello was born in Philadelphia in 1954. A talented songwriter, guitar player and vocalist, he started his career joining Stevie Wonder's band in the first seventies. Later on a became a well known session player for the likes of Sergio mendes, the Jackson 5, Stephen Bishop, Randy Crawford, David Sanborn and many others.
So hop on your electronic Yacht, and and whip out the Vienna sausages, cause Sembello turned out the electro jams that mom would have approved.
Enjoy!
Michael Sembello - Bossa Nova Hotel Lp - 1983 - US
The name "First Futurologischer Congress" is the title of a book by the celebrated science Fiction writer Stanislaw Lem (author of such works as "Solaris") whom the band were lucky enough to meet during his residence in Berlin.
"There are musical parallels with the Human League, Simple Minds, OMD, neo funk and new romanticism with nods to Wire and Pere Ubu from the constant use of electronics. Lyricially the direction lies somewhere between early Fehlfarben, Abwärts and DAF veering towards Ideal...what emerges is outstandingly produced pop music, And not for the 1st FC well travelled road to damnation in the manner of Einstürzende Neubauten," Musikexpress 8/´82
1. Futurologischer Congress - Schützt Die Verliebten - Lp - 1982 - Germany
I was recently trolling my vinyl section that never seems to get any attention, when I came across this NRG catastophre. I was totally clueless to what this interesting chunk of vinyl was... Until I put it on.. Oh man!! What was I thinking? It brought back memories of sneaking in a flask of booze to the downstairs lounge at The Monster in NYC, and dancing like Al Pacino in the movie Crusing with dirty old men.. a couple of days after high school graduation. That was the sound, and I was sucked in.. Deep down DIRTTY Hi-NRG.. I can smell the Amyl nitrite..
Signed to Elton John's Rocket Records in 1981, this ultra Glam, Synth, New Wave, Industrial-ish masterpiece will sure stun you up... This Lp was built around material Warman first premiered live with his band Three Minutes. Check out "Screaming Jets," a masterful, electronics-driven slab of wartorn paranoia whose edginess was only amplified by the presence of Peter Gabriel on effectively keening backing vocals (very Shock the Monkey)..
Here is the CD release from 2002 with bonus songs.
Johnny Warman - Walking Into Mirrors CD - 1981/2002
This comp was the thing in 1985. If you owned it you were soo downtown chic..
Check out this Leftfield, Alternative, Spoken Word, Experimental comp from hell, with memorable moments by Cabaret Voltaire, Sonic Youth, Diamanda Galas, and COIL.
Released through Giorno Poetry Systems label (run by a poet John Giorno), artwork for the compilation was created by New York artist Keith Harring..
Various - A Diamond Hidden In The Mouth Of A Corpse Lp - 1985 - USA
As a student of Leeds Polytechnic Fine Arts University, renaissance man Ball experimented with electronic sounds and sleeze..
He met fellow student Marc Almond, who, taken with Ball's unique take on avant-garde electronic soundscapes, asked him to help in developing music to complement his performance art pieces. The two cut a 4-track EP, funded by Ball, entitled Mutant Moments, and were soon signed to the small label Some Bizarre Records. Working alongside Almond, who by this time had taken on the role of lead singer and lyricist at Ball's suggestion, the band achieved massive success with their cover of Gloria Jones's Tainted Love, which reached #1 in seventeen different countries and #8 in the U.S., where it stayed on the charts for 43 weeks, holding a then Guinness World Record for the longest such stay and becoming the biggest-selling UK single of 1981.
Ball then went on to release a solo album entitled In Strict Tempo, featuring Gavin Friday of The Virgin Prunes, and Genesis P Orridge of Throbbing Gristle. He then went on to produce electronic dance music records alongside producer Ingo Vauk and collaborator Richard Norris. Ball eventually teamed with Norris to form the techno group The Grid, and regrouped with Almond for a Soft Cell tour..
Come get this awesome chunk of left field dubby electronic sleeze..
Here is some lovely NRG Industrial pop.. Can that be? Well, you decide.
Gothic Industrial NRG at its best!
They were a duo from San Fran, and played to DEATH at one of my favorite clubs in Long Island "Paris New York" Ohh those days..
Member Adam Sherburne later formed the band Consolidated in the 1990s. Bryan Weisberg later formed Maximillion's Motorcycle Club. Greg(Auggie)Senzer former drummer owns and operates a motorcycle customizing shop and plays with several bay area bands.
ROCKETS history starts in Paris (France), in the year 1972, when they were known under the name CRYSTAL. In 1974, they changed their name to ROCKET MEN (or ROCKETTERS) as five aliens, bald, with grey eyes, silver skin and space suits, recording the single 'Rocket Man' produced by Claude Lemoine, who would become their producer 'til 1983. In 1975, they changed their name in ROCKETS and recorded a single 'Future woman'. In 1976, their first LP entitled, 'Rockets' was released in France, and the group launched a series of phantasmagoric live shows which involved vocoder, lasers, coloured lights, smoke and a bazooka fighting flames three.
Back in the day NYC had a huge Electro Disco/Freestyle scene. Groups like New Order and The Petshop Boys used to troll these cool clubs like The Funhouse and Peppermint Lounge and "borrow" electronic ideas..
Here is a great release by Digital Emotion, a Dutch Electronic Disco trio.. Had a minor hit with "Don't Stop". Loads of vocorders, tin-y beats, and pure cheezy spacey electro brilliance..
Were you can download electronic ditties, and enjoy them on your futuristic devices.
Exploring through a cloud of subgenre experiments in music and art:
ELECTRONIC / GOTHIC / DRONE /
SYNTH / COLDWAVE / INSIDER /
MINIMAL / DISCO / LEFTFIELD / NEUE DEUTSCHE WELLE /
GARAGE / EXPERIMENTAL /
RAVE / ITALO / SOUNDTREK /
PUNK / INDUSTRIAL /
FUZZPOP / NUE WAVE...
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These files were converted from what are believed to be "out-of-print" sources. If you are aware of any of these items being readily available from commercial sources, or if any of these files infringe upon rights that you hold, please notify me so that we can quickly remove the referenced items immediately." If there is any problems with the DL links please inform me so I can quickly repost them for you...
It takes time to convert albums to mp3 format, then do track listings and search for covers and then upload and post the albums for you all to enjoy
I do appreciate everybody who keeps this blog alive, but a small "Thank You" goes a long way and it costs nothing to do..
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